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In these steps you will learn a few ways to prepare you for the stage. With this information you will be ready for anything with singing, dancing, and dialogue.

  1. Practice makes perfect, so think of learning your lines as studying for a test that if you fail everyone knows and you can not take it again. Use a highlighter to make your lines jump off the page. When studying, say the words out loud. Have a friend run your lines with you when you're not in rehearsal.[1]
  2. Singing memorization is just as important as dialogue. Lyrics can be tricky. Study and go over them as much as possible. Sing in the mirror so you can see what you look like while singing, this helps correct any mistakes you may or may not have made.[3]
    • Learn your notes and harmonies as well. Even if you know your lyrics, it won't sound as good unless you get the notes right.
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  3. You must have the patience and time to work at it everyday. Take your time and learn the steps the right way first so you do not have to go back and slow everyone else down.
  4. Do you want to charm them, offend them, destroy them, etc.? This is called an objective and may change as you go through the rehearsal process and discover new things about the piece.[4]
  5. In other words, I "kind of" love the other person is a weak choice. I'm crazy about the other person is a strong choice. Ambiguity does not work on stage. Remember to exaggerate all character choices so that the story and your character come across clearly.
  6. This means learning where you are and where you have to go during a scene. In any play you've got to know what's going on around you so you can hear your cue to give a line or move in the scene.
  7. Acting is work, but you can let loose, and have fun.[5]
  8. Besides, being too relaxed and over-confident can hurt your performance.[6]
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Community Q&A

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  • Question
    When I sing, I often experience shortness of breath due to nerves. What strategies can help me prevent this?
    Community Answer
    Community Answer
    To combat breathlessness from nerves, begin by consciously relaxing your body and adopting a comfortable, loose posture. Next, focus on diaphragmatic breathing: inhale slowly through your nose and exhale smoothly through your mouth. Additionally, develop an awareness of how your voice resonates throughout your body, distinguishing between your head and chest voices. Finally, during your performance, select a neutral focal point in the room instead of focusing on individual audience members.
  • Question
    What should I do before opening night?
    Community Answer
    Community Answer
    Get everything ready and prepare yourself for an amazing night. Go to bed early and sleep well if possible and just try to stay calm.
  • Question
    What do I do if I forget my lines on stage?
    Community Answer
    Community Answer
    If you generally recall the line's intent, find a way to paraphrase or weave in the basic idea. If a fellow cast member's line is due soon after yours, prompt them to say it to keep the scene moving. Prolonged silence will alert the audience to a missed line, so act quickly to resume the performance and maintain the illusion.
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About This Article

Lesly Kahn, MFA
Co-authored by:
Acting Teacher & Coach
This article was co-authored by Lesly Kahn, MFA. Lesly Kahn is an acting teacher and coach based in Los Angeles, California. She is the founder and owner of Lesly Kahn & Company, Actor Training, which focuses on preparing actors for employment in film, television and theatre. With well over 30 years of experience, Ms. Kahn has coached hundreds of actors who have become household names. She also ran the BFA Program in Acting at Marymount Manhattan College, and worked in television as well as New York and regional theatre. Lesly holds a BFA from New York University and an MFA from The Yale School of Drama. This article has been viewed 191,961 times.
21 votes - 87%
Co-authors: 45
Updated: June 22, 2025
Views: 191,961
Categories: Performing Arts
Thanks to all authors for creating a page that has been read 191,961 times.

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